Saturday, 6 September 2008
Well-Being Of Americans Declines As Economy Worsens
The Gallup-Healthways Well-Being Index is an on-going, long-term measurement of personal well-being based on the World Health Organization (WHO) definition of health as "not merely the absence seizure of valetudinarianism and disease but too a province of physical, mental and social eudaimonia." The Well-Being Index determines the correlational statistics between the places where people work and the communities in which they live, and how that and other factors wallop their eudaimonia.
The survey of about 200,000 respondents 'tween January and July shows that American's well-being score has decreased 5.4 percent in the final six months - and a shift of this magnitude is a important reflection of the ever-changing well-being of the American people. The report besides reveals that the pct of Americans who believe their banner of living is getting worse has increased from a 30.6 percent average in January, to a 42.2 per centum average in July, which also coincides with the percentage worsen of Americans who ar thriving.
Some key findings from the research:
- The overwhelming majority of Americans - among all economic brackets - deem negative views about the economy.
- Confidence in the US economic system is dipping as prices for necessities, like accelerator pedal and food, are rising. This tendency is showing that more and more middle- and upper-income Americans are struggling.
- Economic problems are more and more hitting dwelling for a broader cross section of Americans.
- One element of worsening economic weather - uphill gas prices - has been proved to impact well-being. Well-Being Index inquiry proves that as gas pedal prices ar going up, well-being goes down at the same rate. The data shows the same trend for when solid food costs go up as well.
The full reputation is available at hTTP://www.well-beingindex.com.
About Healthways
Healthways, Inc. (NASDAQ: HWAY) is the leading provider of specialized, comprehensive Health and Care Support(SM) solutions to help millions of mass maintain or improve their health and, as a result, concentrate overall healthcare costs. Healthways' solutions are designed to help healthy individuals stay healthy, mitigate and obtuse the progression of disease associated with family or lifestyle risk of exposure factors and promote the best possible health for those already affected by disease. Our proven, evidence-based programs cater highly specific and personalized interventions for each individual in a population, disregarding of age or wellness status, and are delivered to consumers by telephone, mail, internet and face-to-face interactions, both domestically and internationally. Healthways also provides a national, fully accredited complementary and alternative Health Provider Network, offering convenient access to individuals wHO seek health services out-of-door of, and in colligation with, the traditional healthcare system. For more selective information, please inspect http://www.healthways.com.
About Gallup
Gallup has studied human nature and behavior for more than 70 geezerhood. Gallup's repute for delivering relevant, timely, and visionary research on what people around the world intend and feel is the cornerstone of the organization. Gallup employs many of the world's leading scientists in management, economics, psychology, and sociology, and our consultants serve leaders in identifying and monitoring behavioural economic indicators worldwide. Gallup consultants likewise help organizations boost organic growth by increasing client engagement and maximizing employee productivity through and through measurement tools, coursework, and strategic advisory services. Gallup's 2,000 professionals deliver services at client organizations, through the Web, at Gallup University's campuses, and in 40 offices around the earth.
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Sunday, 17 August 2008
Mp3 music: Orquesta De La Luz
Artist: Orquesta De La Luz: mp3 download Genre(s): Latin: Dance Orquesta De La Luz's discography: Salsa Year: 1994 Tracks: 5 The Japanese salsa striation Orquesta de La Luz was quite a big one, whose main focal point (and only consistent member throughout their term of office together) was isaac Bashevis Singer Nora. Throughout the days, Nora was coupled by a rotating mould of musicians in the mathematical group, including Gen Ogimi, percussion; Carlos Kanno, percussion; Genichi Egawa, timbales; Gen Date, conga; Hiroshi Sawada, bass; Satoru Shoinoya, piano, keyboards; Shiro Sasaki, trumpet; Tatsuya Shimogami, trumpet; Yoshihito Fukumoto, trumpet; Hideaki Nakaji, trombone; and Taisei Aoki, trombone, patch co-producer/arranger Sergio George contributed keyboards from time to time. The grouping reinforced a substantial following in their homeland during the early to mid-'90s (with such releases as 1990's Orquesta de La Luz, 1991's Sin Fronteras, and 1992's Somos Diferentes), before switching their sound in the first place to jazz and ballads. By 1995, Orquesta de La Luz had broken up, with Nora launching a solo life history concisely thenceforth (and reversive back to her early band's early salsa sound). |
Thursday, 7 August 2008
Julie London
Artist: Julie London
Genre(s):
Vocal
Easy Listening
Chanson
Other
Pop
Jazz
Discography:
Julie-Love on the Rocks
Year: 2006
Tracks: 12
Yummy Yummy Yummy
Year: 2005
Tracks: 12
Your Number Please
Year: 2002
Tracks: 12
Lonely Girl-Make Love to Me
Year: 2002
Tracks: 24
All Through the Night
Year: 2002
Tracks: 10
Calendar Girl
Year: 2001
Tracks: 13
About the Blues-London By Night
Year: 2001
Tracks: 24
Wild, Cool and Swingin'
Year: 1999
Tracks: 22
Julie Sings Love
Year: 1998
Tracks: 24
A Touch of Class
Year: 1998
Tracks: 16
The End Of The World-Nice Girls Don't Stay For Breakfast
Year: 1997
Tracks: 12
End of the World-Nice Girls Don't Stay for Breakfast
Year: 1997
Tracks: 24
Cry Me a River (CD3)
Year: 1997
Tracks: 14
Cry Me a River (CD2)
Year: 1997
Tracks: 14
Cry Me a River (CD1)
Year: 1997
Tracks: 14
Swing Me An Old Song
Year: 1996
Tracks: 31
Julie...At Home-Around Midnight
Year: 1996
Tracks: 24
Julie Is Her Name, Vol. 1-2
Year: 1992
Tracks: 25
Time for Love - The Best of Julie London
Year: 1991
Tracks: 18
Julie London Sings Cole Porter
Year: 1991
Tracks: 17
Latin In A Satin Mood
Year:
Tracks: 12
Easy Does it
Year:
Tracks: 12
A sultry, smoky-voiced master of understatement, Julie London enjoyed considerable popularity during the cool earned run average of the 1950s. London ne'er had the kitchen kitchen stove of Ella Fitzgerald or Sarah Vaughan, simply ofttimes secondhand constraint, softness, and subtlety to maximum vantage. An actress as substantially as a singer, London played with heavyweights like Gregory Peck and Rock Hudson in various films, and was married to Jack Webb of Dragnet celebrity for seven-spot years ahead marrying songwriter Bobby Troup ("Route 66"). London performed her biggest hit, "Cry Me a River," in the Jayne Mansfield cinema The Girl Can't Help It. After arrangement her last album, Yummy, Yummy, Yummy, in 1969, she continued to pretend -- playacting a suckle on the NBC medical drama Hand brake from 1974-1978. Despite her "sexual drill symbol" video -- London was known for her sexy LP covers, which score them collector's items -- she was surprisingly shy, and left prove game on the whole in the late '70s. In the mid-'90s London suffered a stroking, which light-emitting diode to a half-decade of poor health and at long last contributed to her final stage on October 18, 2000.
Tuesday, 1 July 2008
Scorsese making Marley documentary
Variety reports that the as-yet-untitled film has been authorised by Marley's family.
The film is due for release on 6 February, 2010, which would have been Marley's 65th birthday.
To listen to this week's special 'Arts Show' report on Bob Marley, click here.
Thursday, 26 June 2008
Arthur Lyman
Artist: Arthur Lyman
Genre(s):
Easy Listening
Discography:
Bwana
Year:
Tracks: 12
As the vibraphonist for Martin Denny's group, Lyman was implemental in crafting the sound of exotica. Lyman didn't stay with Denny for foresighted, however, departure the ensemble in 1957 to start a solo life history that was virtually as successful as Denny's. To no one's surprise, Lyman's albums sounded identical practically like Denny's, with fifty-fifty more than of a somnambulent feel. Much of the public wanted to relax, though, and they sent his debut, Tabu, to #6 in the album charts in 1958. In addition to playing vibes on his group's recordings, Lyman also played some guitar, pianissimo, and drums, as well as remunerative careful attending to using two-channel sound.
Lyman likewise had a few strike singles, with "Taboo" and "Love For Sale" reaching the midriff of the charts, and "Xanthous Bird" (the only big exotica hit in any case Denny's "Quiet Village") making #4 in 1961. Like Denny (though to a lesser extent), Lyman experient a revitalization in popularity in the 1990s, when the space years pop revitalisation made it acceptable to drag out his old LPs and sit around in tiki bars again. He continued playing for tourists in Waikiki until a year before his death from throat crab on February 24, 2002.
Wednesday, 18 June 2008
Remaining Glastonbury Tickets To Be Sold At Record Shops
After failing to sell out and with only three weeks to go, Glastonbury have had to use HMV stores to sell the remaining tickets.
The famous Somerset festival takes place over the weekend of June 27th - 29th, and tickets will go on sale in selected stored on Wednesday 11th at 8am.
Anyone wishing to buy tickets will have to pay over the counter and provide their name, as well as bring photo ID to the festival itself.
The HMV stores selling tickets across the UK are :
HMV Bristol, 21/23 Broadmead
HMV Glasgow, Argyle Street
HMV Newcastle, 56 Northumberland Street
HMV Manchester, 90 Market Street
HMV Birmingham, 38 High Street
HMV Cardiff, 53 Queens Street
HMV London, 150 Oxford Street
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John Barry
Artist: John Barry
Genre(s):
New Age
Soundtrack
Discography:
Beyondness Of Things
Year: 1999
Tracks: 12
Somewhere In Time
Year: 1980
Tracks: 9
The Collection 40 Years of Film Music CD2
Year: 1969
Tracks: 4
The Collection 40 Years of Film Music CD4
Year:
Tracks: 11
The Collection 40 Years of Film Music CD3
Year:
Tracks: 14
The Collection 40 Years of Film Music CD1
Year:
Tracks: 14
John Barry is one of the best-known composers of soundtrack music of the previous twentieth and early twenty-first centuries, merely his career has carried him through a throng of music genres and styles. He is best-known in celluloid in connexion with his work on the James Bond pictures, simply Barry is too the holder of basketball team Academy Awards, none of them for the Bond movies. Born Free (for which he south Korean won Oscars for Best Score and Best Song), The Lion in Winter, Out of Africa, and Dances With Wolves are scarce unknown films or slews. Additionally, from 1957 until the early '60s as leader of the John Barry Seven, Barry was one of the best-known figures in popular music and early rock candy & roll in England. Born in York, England, on November 3, 1933, John Barry was the word of a little movie dramaturgy range of mountains possessor and a former concert piano player. He showed an zealous interest in music as a boy and initially studied forte-piano, although he switched to the trumpet in his teens. After spending much of his boyhood steeped in classical music, he ascertained jazz -- his god was Harry James and his favorite music was made by Benny Goodman, Duke Ellington, Woody Herman, and the Dorsey Brothers.
Barry studied pianoforte and composition with the euphony master of York Minster Cathedral, Dr. Francis Jackson, and had a deep interest in arranging. Growing up around his father's picture theatre patronage, Barry was ever cognizant of the top executive and influence of the picture palace, simply it was a specific film, A Song to Remember, dealing with the life of Fryderyc Chopin, that first demonstrated to him the top executive of euphony in movies and got him concerned in the field. He besides credits Max Steiner's score for The Treasure of the Sierra Madre and Anton Karas' music for The Third Man as favorite film wads from his early life sentence. Barry played with a local jazz band in his mid-teens, and was prosperous sufficiency to stick himself assigned to a musical unit in the British Army when he was called up for National Service at age 18. During his two age of Army armed service, he tried his hand at arranging, and he later enhanced his skills by pickings a correspondence form offered by Bill Russo, one of Stan Kenton's arrangers. Once he was back in civilian life, Barry offered his arrangements to some of the top bandleaders in England, among them Ted Heath, Jack Parnell, and Johnny Dankworth. Dankworth actually victimized two of them, and at Parnell's mesmerism, Barry started his have band. The result was John Barry & the Seven, later known as the John Barry Seven. He affected the radical to London in 1957 and approached Jack Good, the producer of British television's top music showcase The Six-Five Special, merely was turned low-spirited for the prove. After a few weeks and some successful bouncy engagements including a gig as the financial support band for Tommy Steele, the show's producers changed their minds and the John Barry Seven made it onto The Six-Five Special. The mathematical group became vastly democratic from their appearances on the programme, and Barry was the star, not merely playing trumpet simply too handling the vocal chores. By this time, the rock & roll boom was going entire swing, and his telling ofttimes required Barry to do his c. H. Best Elvis- or Carl Perkins-style vocalizing.
It was out of their appearances on the program that they were sign to EMI's Parlophone Records label. The group's next great gig was as one of the resident physician house bands for Good's new program, Oh Boy!, which was a display case for many of the near dynamic whitney Moore Young Jr. john Rock & roll singers coming up in England, including Cliff Richard. It was from thither that Barry affected on to become music director for Drum Beat, a dramatic program leading a brigham Young singer/actor named Adam Faith. From 1959 until 1962, he and Faith were an unbeatable combining, both onscreen and in the transcription studio, releasing a string of major British hits through the Parlophone label. During this geological period, Barry besides arranged and light-emitting diode the musical accompaniment for numerous other EMI recording artists, including Desmond Lane, the England Sisters, and Bill and Bret Landis. The John Barry Seven as well enjoyed hits of their own, including "Stumble or Miss" and a version of the Ventures' "Walk Don't Run." They were known for their unusual sound, outstanding to their bold nevertheless exact playing and their heavy habit of electric piano and former comparatively uncommon instruments (this in a time when the galvanizing bass was barely tolerated). They were among the asterisk implemental acts of the Apostles of the day and, astonishingly, cut albums for EMI's Columbia Records, which was already the home of the Shadows, the group's biggest rivals.
In 1960, Barry was as well invited to compose his first gear film sexual conquest, for the puerile dereliction drama Work over Girl stellar Adam Faith. The results were an impressive mix of brass section, heavy electric guitar (courtesy of John Barry Seven guitarist Vic Flick), and orchestra. Barry as well subsequently devised an integral record album, Stringbeat, in which he juxtaposed the group's sound with that of a string orchestra. Barry was involved with numerous projects of all kinds during this period. Although it seems hard to believe in retrospect, at that decimal point, the John Barry Seven were the major rivals to the Shadows, Cliff Richard's championship group, world Health Organization were known for their subservient singles. The group started the class with a exit called The Cool Mikado, an update of the Gilbert & Sullivan operetta, merely there were far more important milestones in his career that year. Barry was in use by the producers of a movie called Dr. No to publish and arrange a finished score from work begun by composer Monty Norman. The film itself was a reach and Barry's work sufficiently impressed the producers, Harry Saltzman and Albert Broccoli, to draw him the gig writing the total sexual conquest for the next pic, and for more than than iI decades' worth of subsequent James Bond movies up through 1985's A View to a Kill. Several of these featured songs that Barry had co-written, including "Goldfinger," "Thunderball," and "You Only Live Twice," became hits of varying proportions and longevity in their own correct for artists such as Shirley Bassey, Tom Jones, and Nancy Sinatra. The best of his James Bond songs may be the most unusual, "We Have All the Time in the World" from On Her Majesty's Secret Service, which was song by Louis Armstrong. If Beat Girl had conventional Barry's British film credential, Dr. No and the following deuce movies in the series, From Russia With Love and Goldfinger, made Barry's nominate external.
It was with Natural Free, however, that he stirred into the front ranks of popular film composers, with the score and the Oscar-winning title birdsong. From and so on, he was in a position to sexual conquest some of the biggest and most hardihood films organism made in England or Hollywood, ranging from the hourlong experimental film Hollander to high profile dramas like The Lion in Winter (for which he won his third Oscar). In 1962, the same year he composed the music for the showtime James Bond moving picture, Barry likewise left wing EMI to join the independent Ember Records label. In addition to doing his have recordings, Barry produced and arranged the euphony for lashings of Ember artists, including Chad & Jeremy, and likewise produced such best-selling comedy albums as Fool Britannia, Anthony Newley and Leslie Bricusse's feral irony of the Profumo outrage that had intimately toppled the British government activity.
In the thick of his burgeoning moving-picture show work, Barry constitute time to make albums of his have on function, ordinarily featuring re-recordings of his best movie-related music. In 1999, he likewise released one album of his classical instrumental style compositions, The Beyondness of Things. Barry suffered a serious accidental injury at the ending of the '80s from which his recovery seemed problematical. He survived with help from a selfsame good dr. and i of the first gear results of this new charter on life was Barry's medicine for Dances With Wolves, which was one of his most ambitious soundtrack creations ever, filled with complex orchestral parts and sweeping, nigh Mahler-like melodic arcs and textures, earning his fifth Oscar in the process. In 1992, he was nominative for a his sixth Oscar for his medicine for Charlie Chaplin.
Stephanie Becomes First Big Brother Evictee
Stephanie has become the first housemate to be evicted from the 2008 Big Brother house.
The 19-year-old was up against Luke and couple Mario and Lisa in the public vote after the four of them failed in the first task of the series.
Stephanie gasped when Davina McCall read out her name, while other housemates huddled around her.
Sylvia appeared to wipe away a tear while Alex said, "Lap it up, you can do this, do it well."
Stephanie then had a lingering hug with Rex, who she had previously said was her favorite person in the house.
"Can I go now? I just want to go now," she said.
Steph and 43-year-old Mario had failed in their task to convince fellow housemates they were a couple, while Lisa had to stand back and pretend she had never met Mario before.
Luke was also in on the secret and had to help keep it under wraps. The task culminated in a fake wedding between the false couple, which other housemates needed to believe was genuine.
Alex realized the truth and stood up to declare the "sham" marriage during the ceremony, and on the demand of Big Brother, housemates guessed correctly that Lisa and Mario were the real couple in the house.
By being kicked out of the house, Stephanie has defied the bookies who had Mario as the favorite to get the boot.
During her interview with Davina, Stephanie said she was "gutted" to have been evicted, adding, "I would love to have been in here to the end.
"You don't expect to the first out, you never do, you think 'what's the chances of that?'..... A week is not enough to show what you're all about."
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1 day, 2 lives altered forever in "Dinosaurs on the Roof"
"Dinosaurs on the Roof"
by David Rabe
Simon & Schuster, 484 pp., $26
The playwright David Rabe's second novel, "Dinosaurs on the Roof," unfolds from an irresistible premise. In the small, depressed town of Belger, Iowa, an elderly widow named Bernice pays a visit to a much younger divorcée, Janet. The two women are connected, in the way of small towns, by Bernice's long friendship with Janet's late mother, and their dialogue bubbles with subtext; each knows rather too much about the other.
On this day, in the novel's opening pages, Bernice has a special favor to ask Janet. The Rapture, it seems, will be arriving in Belger that evening to sweep away Bernice and a few others to their eternal glory. Would Janet, if it's not too much bother, take care of Bernice's dogs and cats while she's away, er, permanently?
The esoteric and the pragmatic meet here, deliciously, and you can imagine the no-nonsense Bernice working this out in her head beforehand: It's all well and good to be carted off to Paradise, but eternity is a long time and somebody's got to walk the dog. Janet, as stunned as most of us might be at such a request, tentatively agrees. And thus launches an unusual day in Belger, as Rabe follows sturdy Bernice and troubled Janet to the next morning's light. Their different journeys and points of view, sometimes interwoven, unfold in alternating chapters.
From this promising beginning, the novel isn't entirely successful; it feels overlong (close to 500 pages) considering that relatively little happens. Rabe, whose many acclaimed plays include "Hurlyburly" and "Streamers," is a master of dialogue, but many of the conversations in this book — while often startlingly realistic — feel unnecessarily rambly. And Janet, a character revealed to be deeply self-destructive (in this novel's few hours she immerses herself repeatedly in drugs, booze and unhappy sex), remains something of a cipher; she's neither likable nor, in her flailing about, particularly interesting.
But Bernice, blinking her way through a day filled with surprises and realizations, grows on the reader. Facing a sudden loss and trying to move on, she feels peculiar, writes Rabe. "Like a bus had dropped her off at the wrong stop. Or maybe a tornado had picked her up from the life she knew and put her down in this one. ... Not that she didn't know where she was and what had happened to get her there, but she couldn't shake the suspicion that what she knew left out everything important."
Fretting, with equal importance, over eternal salvation or the choice of a sensible pantsuit over a skirt, Bernice takes over the novel as the night grows longer. She and Janet — from, respectively, exhaustion and Jack Daniel's — waft from the present into memories, sorting out their lives; caught up in their own raptures. And where Bernice unexpectedly finds herself, at the novel's end, is exactly where we wish her to be.
Moira Macdonald is the movie critic for The Seattle Times.
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Amy Winehouse to walk the runway at London Fashion Week?
Amy Winehouse could take to the runway at this autumn’s London Fashion week, if top designer Julian MacDonald gets his way.
Each year, MacDonald ensures his collection dazzles by getting “the woman of the moment” to wear the top gown in his collection.
British supermodel Naomi Campbell got the honor last year; and Paris Hilton sported a crystal beaded mini for the Welsh designer in 2006.
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Natalie Portman - Portman Quits Wuthering Heights
Hollywood star NATALIE PORTMAN has dropped out of a forthcoming big-screen adaptation of WUTHERING HEIGHTS over conflicts in her schedule.
The Star Wars actress was set to play the film's lead role, Cathy Earnshaw, in John Maybury's take on the classic Emily Bronte novel, but has quit the project in favour of an unknown movie venture.
Portman was slated to appear opposite German actor Michael Fassbender, who will play the iconic Heathcliff in the film.
Movie bosses at Ecosse Films are said to be determined to shoot the movie on schedule and are currently searching for a replacement for Portman.
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